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Akasha (2018) presents four ambient synthscapes. Each track is tied to a real and imaginary place. Drawing from my childhood and adolescent memories in Mississippi, Louisiana, and North Carolina, as well as ongoing nightly dreams, and more current wakeful meditations, I think of the tracks on Akasha as meditative air paintings and spiritual graffiti. For reflective listening and cathartic escape, or as background music for more focused work.